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1976 Born in Yokohama, Japan
2001 Relocated to San Francisco, United States/ Currently lives in New York, United States


EDUCATION

2000 Jyoshibi University of Art and Design, Kanagawa, Japan /Bachelor of Arts oil painting, printmaking


SOLO EXHIBITIONS

2017 "Year Without a Summer", Maho Kubota Gallery, Tokyo, Japan
2014 "Roadside Picnic, Chapter Two" , FLYNNDOG, VT
2010 “Written Image", curated by Elisabeth Akkerman,Maiden Lane Exhibition Space, NY, NY
         “Written-Lighten”, EXHIBITION SPACE, Tokyo, Japan
2008 “NEGATIVESCAPE”, Honey Space, NY, NY
          “America”, Gallery Jin Annex/ Gallery Kingyo, Tokyo, Japan
2007 “Midori Harima”, Kevin Bruk Gallery, Miami, FL
2006 “Breathe”, Holasek Weir, NY, NY
          “Free Fall”, Gallery Jin, Tokyo, Japan
2005 “Circumstantial Message”, San Francisco Art Commission View 155, San Francisco, CA
          “Suture”, Gallery Jin, Tokyo, Japan
2004 “Transparent Story”, Kala Arts Institute, Berkeley, CA
          “Engagement”, Gallery Jin, Tokyo, Japan
2001 “Untitled”, curated by Youichi Sato, T.L.A.P, Tokyo, Japan
         “Clean Castration”,curated by Youichi Sato, 300 days gallery, Tokyo, Japan



GROUP EXHIBITIONS

2017 "Lyrics, Gestures and Games", Kala Arts Institute, Berkeley, CA
2016 "trans_late", PLUG Projects, Kansas City, MO
2015 "The Big Scene: Seven sights", MMCA residency Goyang, Goyang, South Korea
2014 "Roadside Picnic" collaboration with Emiko Sawaragi Gilbert, FLYNNDOG, VT
2013 "Ridden", Des Lee Gallery, Washington University, St. Louis, MO
         "Cold Castle" Family Business, NY, NY
2012 "Honey Me to Tears", Honey Space, NY, NY
2011 "Everyday Life Hidden Reasons", Kanagawa Prefectural Gallery, Yokohama, Japan
          4th Moscow Biennale at Honey Space, Moscow, Russia
2010 "Re-Creation", The Ogilvy Chocolate Factory, NY, NY
2009 "Open", Deitch Studios, Long Island City, NY
          "re: con-figure", Kala Arts Institute, Berkeley, CA
2008 "TALENT PReVIEW '09", White Box, NY, NY
          "Object Salon", Honey Space, NY, NY; traveled to White Space, London, UK
2007 "Five Artists from New York", Egon Schiele Art Centrum, Cesky´ Krumlov, Czech Republic
2006 "Who's That Girl?", Vanina Holasek Gallery, NY, NY
          "Inner Child", Toyota Municipal Museum of Art, Toyota, Japan
          "The White Album", Kala Arts Institute, Berkeley, CA
2005 "Paper Pushers", Richard L. Nelson Gallery, University of California, Davis, CA
          "Fearless", Gallery Jin, Tokyo, Japan
2003 "Revealing Influences", curated by Renny Pritikin, Museum of Craft & Folk Art, San Francisco, CA
          "The Road Not Taken", crated by Emiko Sawaragi Gilbert, FLYNNDOG, VT
2002 "The Bay Area Award Show 2002" ,New Langton Arts, San Francisco, CA
          "Bay Area Now 3", Yerba Buena Center for the Arts, San Francisco, CA
2001 "Retrospective exhibition", 300days gallery, Tokyo, Japan


ARTIST IN RESIDENCE

2015 MMCA Residency Goyang, National Museum of Modern and Contemporary Art, South Korea
2011 Koganecho Bazzar, Yokohama, Japan
2009 Art Omi International Artists Residency, Ghent, NY
2007 Egon Schiele Art Centrum, Cesky´ Krumlov, Czech Republic
2006- 2012 “Emergency Arts"/ "Cold Castle" studio resident, NY, NY
2006 18th Street Art Center, Santa Monica, CA, founded from Mill Atelier foundation
2004 Kala Arts Institute, Berkeley, CA


AWARDS

2015 "Exchange Residency Program, Seoul-Tokyo" TWS, Tokyo, Japan
2010 “Project and research grant”, Fumiko Omura Foundation / Jyoshibi University of Art and Design, Kanagawa, Japan
2004 “Kala Board Prize 2004”, Kala Arts Institute, Berkeley, CA
          “Visions from New California”, James Irvine Foundation
2002 “The Bay Area Award Show 2002”, New Langton Arts, San Francisco, CA
2000- 2008 Fuji-Xerox, “Art By Xerox” sponsored member, Tokyo, Japan



COLLECTION

The Francis J. Greenburger Collection, NY, NY
Memorial Health University Medical Center/William and Iffath Hoskins Center for biomedical Research ,Savannah,GA
The Buhl Collection, NY, NY


BIBIOGRAPHY/CATALOG
2016 “De-Position Open Studio 11”, catalog, Published by National Museum of Modern and Contemporary Art, Korea
2015 "Midori Harima "Democracy Demonstrate"@MMCA Goyang, review by Josef Bares, Fine Art In East Asia and beyond
2014“Emiko Sawaragi and Midori Harima”, by Kevin J. Kelley , Seven Days
2011“Everyday life hidden reasons", catalog, published by Kanagawa Prefectural Gallery
2010 “HARIMA MIDORI/ Written- Lighten”, catalog, essay by Chihiro Minato, published by EXHIBITION SPACE
2008 “Midori Harima Works 2001- 2007”, brochure, essay by Syogo Otani, published by Gallery Jin
2007 MAG 09 May/June 2007 issue, “A Delicate Balance” exhibition Richard Butler and Midori Harima at Kevin Bruk Gallery review by Mariangele Capuzzo
2006 “Inner child”, catalog, published by Seigensya / Asahi shinbun April 20 2006, “Inner child” review by Eiji Yamamori / Artweek, May 2006 “The white album” review by David Buuck /BT-bijyutsu techo, July, 2006, “free fall” review by Seiko Kohno
2005 “Paper Pushers”, catalog, essay by Renny Pritikin ,Richard L. Nelson Gallery, University of California, Davis/”Visions from New California”, catalog, published by James Irvine Foundation/ Sculpture Magazine, May 2005 Vol.24 No.4 issue, exhibition “Transparent Story” review by Peter Selz/ Artweek, February 2005, exhibition “Transparent Story” review by Colin Berry
2004 “The Road Not Taken” catalog, published by Art by Xerox
“Paper Trail of Perception” exhibition “Transparent Story” review by Sasha Vasilyuk, Oct 21, Daily California / BT-bijyutsu techo, March,2004, Yuri Shirasaka/ BT-bijyutsu techo, April, 2004, exhibition “Engagement” review by Chieko Hirano
2003 “Revealing Influences “ catalog, essay by Renny Pritikin , A Report vol.19, published by Museum of Craft and Folk Art
2002 “Bay Area Now3” catalog, , essay by Renny Pritikin, published by Yerba Buena Center for the Arts/ “Anxious Times” Bay Area Now 3 review by Adrienne Gagnon, SF Weekly, Dec. 4-10, 2002 / ”Not clear Not dark”BT-bijyutsu techo, February, 2002, Yuri Shirasaka
2001 BT-bijyutsu techo, April, 2001, exhibition “Clean Castration” review by Yuri Shirasaka
1976 横浜に生まれる
2000 女子美術大学芸術学部絵画科版画コース卒業
2001 サンフランシスコに移住、現在ニューヨーク在住






主な個展

2017 "Year Without a Summer", Maho Kubota Gallery (東京)
2014 “路傍のピクニック、第2章”, FLYNNDOG (バーモント州、バーリントン)
2010 “Written Image", Maiden Lane Exhibition Space (ニューヨーク)
          “Written-Lighten”, エキシビションスペース(東京)
2008 “NEGATIVESCAPE”, Honey Space (ニューヨーク)
          “アメリカ”, Gallery Jin / Gallery Kingyo(東京)
2007 “Midori Harima”, Kevin Bruk Gallery (マイアミ)
2006 “Breathe”, Holasek Weir (ニューヨーク)
          “フリーフォール”, Gallery Jin(東京)
2005 “Circumstantial Message”, San Francisco Art Commission View 155 (サンフランシスコ)
          “縫合”, Gallery Jin(東京)
2004 “Transparent Story”, Kala Arts Institute(カルフォルニア州、バークレー)
          “婚約”, Gallery Jin(東京)
2001 “無題”, 時限美術計画 /T.L.A.P(東京)
          “清潔な去勢”, 300日画廊(東京)


主なグループ展

2017 "Lyrics, Gestures and Games", Kala Arts Institute(カルフォルニア州、バークレー)
2015 “The Big Scene: Seven Sights“ MMCA コヤンレジデンシー、韓国国立現代美術館(コヤン市、韓国)
2014 “Barely There“, Jack Geary Contemporary (ニューヨーク)
          “路傍のピクニック”(エミコ・ギルバートとの2人展)FLYNNDOG (バーモント州、バーリントン)
2013 “Ridden“ Des Lee Gallery, ワシントン大学 (ミズーリ州、セントルイス)
          “Cold Castle”, Family Business (ニューヨーク)     
2012 “Honey Me to Tears”, Honey Space(ニューヨーク)
2011 4th Moscow Biennale at Honey Space (モスクワ)
          “日常/ワケあり”, 神奈川県民ホールギャラリー(横浜)
2010 “Re-Creation“, The Ogilvy Chocolate Factory (ニューヨーク)
2009 “Open“, Deitch Studios (ニューヨーク)
          “re: con-figure“, Kala Arts Institute(カルフォルニア州、バークレー)
2008 “TALENT PReVIEW '09“, White Box (ニューヨーク)
          “Object Salon”, Honey Space(ニューヨーク)/White Space(ロンドン)
2007 “Five Artists from New York”, Egon Schiele Art Centrum(チェスキークルムロフ、チェコ共和国)
2006 “内なるこども”, 豊田市美術館(豊田市)
          “The White Album”, Kala Arts Institute(カルフォルニア州、バークレー)
2005 “Paper Pushers”, Richard L. Nelson Gallery, University of California(カルフォルニア州、デイビス)
          “Fearless”, Gallery Jin(東京)
2003 “Revealing Influences”, curated by Renny Pritikin, Museum of Craft & Folk Art (サンフランシスコ)
          “The Road Not Taken”, FLYNNDOG (バーモント州、バーリントン)
2002 “The Bay Area Award Show 2002”, New Langton Arts (サンフランシスコ)
          “Bay Area Now 3”, Yerba Buena Center for the Arts (サンフランシスコ)
2001 “300日画廊記録展”, 300日画廊(東京)


アーティスト・イン・レジデンス

2015 MMCA コヤンレジデンシー, 韓国国立現代美術館(コヤン市、韓国)
2011 黄金町バザール(横浜)
2009 Art Omi International Artists Residency (ニューヨーク州 ゲント)
2007 Egon Schiele Art Centrum(チェスキークルムロフ、チェコ共和国)
2006- 2012 “Emergency Arts/Cols Castle” スタジオメンバー(ニューヨーク)
2006 18th Street Art Center(ロサンゼルス)
2004 “Visions from New California”, Kala Arts Institute(カルフォルニア州、バークレー)


賞歴

2015 "二国間交流事業プログラム<韓国>" 東京ワンダーサイト (東京)
2010 “女子美 制作・研究奨励賞”, 大村文子基金 女子美術大学(神奈川)
2004 “Kala Board Prize 2004”, Kala Arts Institute(カルフォルニア州、バークレー)
          “Visions from New California”, James Irvine Foundation (サンフランシスコ)
2002 “The Bay Area Award Show 2002”, New Langton Arts (サンフランシスコ)
2000- 2008 富士ゼロックス, “アート・バイ・ゼロックス” メンバー (東京)


コレクション
The Francis J. Greenburger Collection(ニューヨーク)
Memorial Health University Medical Center/William and Iffath Hoskins Center for Biomedical Research(ジョージア州、セバナ)
The Buhl Collection(ニューヨーク)


プレス/カタログ
2016 カタログ, “De-Position Open Studio 11”, 発行:韓国国立現代美術館
2015 "Midori Harima "Democracy Demonstrate"@MMCA Goyang, review by Josef Bares, Fine Art In East Asia and beyond
2014 “Emiko Sawaragi and Midori Harima”, by Kevin J. Kelley , Seven Days
2012 森啓輔, 展覧会評, −反転されるイメージの皮膜 日常ワケあり展−, 美術手帳2012年 1月号
2011 カタログ, “日常/ワケあり”, 中野仁詞, −日常/ワケあり, 播磨みどりの場合−, 発行:神奈川県民ホール
2010 カタログ, “HARIMA MIDORI/ Written- Lighten”, 港千尋, −意識の2.5次元−, 発行:エキシビションスペース
2008 パンフレット“Midori Harima Works 2001- 2007”, 大谷省吾, −このパンフレットを見てはいけない−, 発行: Gallery Jin
2007 MAG 09 May/June 2007 issue, “A Delicate Balance” exhibition Richard Butler and Midori Harima at Kevin Bruk Gallery review by Mariangele Capuzzo
2006 カタログ, “内なるこども”, 発行:青幻社/ 山盛英司, 展覧会評, “内なるこども”, 朝日新聞 2006年4月20日 / Artweek, May 2006 “The white album” review by David Buuck / 河野晴子, 展覧会評, “フリーフォール”, 美術手帳, 2006年7月号
2005 カタログ, “Paper Pushers”, essay by Renny Pritikin ,発行:Richard L. Nelson Gallery, University of California /”Visions from New California”, catalog, published by James Irvine Foundation/ Sculpture Magazine, May 2005 Vol.24 No.4 issue, exhibition “Transparent Story” review by Peter Selz / Artweek, February 2005, exhibition “Transparent Story” review by Colin Berry
2004 カタログ, “The Road Not Taken”, 発行:アート・バイ・ゼロックス
“Paper Trail of Perception” exhibition “Transparent Story” review by Sasha Vasilyuk, Oct 21, Daily California / 白坂ゆり, −Neo Woman’s Art−, 美術手帳, 2004年 3月号/ 平野千枝子, 展覧会評, “婚約 Gallery Jin”, 美術手帳, 2004年 4月号
2003 カタログ, “Revealing Influences “ essay by Renny Pritikin , A Report vol.19, 発行: Museum of Craft and Folk Art
2002 カタログ, “Bay Area Now3” essay by Renny Pritikin, 発行:Yerba Buena Center for the Arts/ “Anxious Times” Bay Area Now 3 review by Adrienne Gagnon, SF Weekly, Dec. 4-10, 2002 / 白坂ゆり,−Not clear Not dark−, 美術手帳, 2002年 2月号
2001 白坂ゆり, 展覧会評, “清潔な去勢 300日画廊”, 美術手帳, 2001年 4月号